The good thing about these long disappearances is that it means I’ve been up to good things. The bad thing is that I often neglect to share it here. If you’re ever looking for more of a day-to-day from me, my Twitter, Facebook, or Instagram pages are probably the better spots. This place is more like a hub or a repository, I suppose, though I hope to start sharing a little bit more about my professional world here in the coming months.
In the meantime, some announcements:
- I’m now editing for Heavy Feather Review. They’re good people, and I’m very happy to be a part of a lit journal again. Why not submit some work?
- I had two poems published up on Spork Press last fall.
- I’ll have a poem coming out with Salt Hill in a couple months.
Anyway, that’s about it for now. But stay tuned for some more semi-frequent updates.
I love reading. I’d better. It’s sorta what I get paid to do. But with professional obligations to read and write, it’s sometimes difficult to remember to read and write for fun. But I’ve been making more of an effort lately, and I’ve made some headway through my substantial to-read list. Why not follow me on Goodreads to keep abreast of what’s going on with my bookshelf?
Here’s what I’ve finished lately, in no particular order.
Posted in Poetry
Tagged Abigail Zimmer, C Dylan Bassett, Chas Hoppe, Columbia Poetry Review, Daniel Scott Parker, Gigantic Sequins, io books, JA Tyler, Joshua Young, Justin Limoli, Kimberley Grey, Nick Courtright, Oliver de la Paz, Oyez Review, Rae Armantrout, Summer Ellison, the invention of monsters, Tony Trigilio, Traci Brimhall
The past several months I’ve been working on finishing an album that I recorded with my friend Jake Frye (of Jesus on the Moon fame) while we were both still grad students at Western Washington University back in 2009–10. That’s a long time to sit on recordings, I know, but we were so proud of them that we knew we had to do some sort of formal release eventually. But first we had to master the tracks, and then we had to have album art done. And doing all that stuff in your spare time usually makes it take time.
Posted in Amniotic Buzzsaw, Collaborations, Music, Writing
Tagged Amniotic Buzzsaw, Bellingham, Chas Hoppe, experimental, Indie, Jake Frye, Music, Rock
I had a pleasant surprise the other day when I discovered that Front Porch Journal recently reviewed The Diegesis, the 2013 poetry collection cowritten with Joshua Young and released by Gold Wake Press.
It was a very flattering review. But mostly I’m happy to see that at least someone is still reading the collection a year after its release. I’ve been learning that while poetry collections through indie presses may not sell in the tens of thousands (or really anywhere even close), but sometimes they can have a nice, slow burn. Here’s to slow burns.
Want to read The Diegesis? Buy a copy through me here.
Want to learn more about The Diegesis? Check out the blog archives.
About a year and a half ago, my band, Anyway, Soon set out to record what was intended to be our first and final album. The duties of real life were taking their priority with members moving to different area codes, but we wanted to set down our final batch of songs as a sort of record of what we had done.
Sadly, although the recording process generally went very well, by the time everyone had dispersed, we just hadn’t gotten far along enough on the tracks to release a complete album, as intended. We did finish this one song though, which you can listen to below.
There are rough mixes of the other songs on our drummer/engineer’s Soundcloud page. It was a blast playing with these guys, and if I had one regret, it’s that I never found myself able to commit the amount of time/effort into the project as it deserved. But such is life.
I’m bummed I’m not taking part in National Poetry Month this year. But I have a good reason, and I’ll be sharing that with you soon, too. It’s the most overdue of all the overdue news. It’s the most hyperbolic thing ever.
In the meantime, I had a new poem up over the weekend in TAB: The Journal of Poetry & Poetics. It’s called “The Girl Who Thought She Knew Something About Monsters,” and it’s the continuing adventures of someone from The Diegesis. It’s the beginning of a new project.
Why not give it a read?
I’m not one to complain about time. I’m not one to fall into the “I’m just too busy” trap, mostly because I tend not to look at my obligations as burdens. Saying you’re “too busy” tends to register as a complaint. I try not to say that because, well, I really like being busy. I like doing the things that suck up my time, and I like contributing to the different creative and professional worlds in which I’ve been given an opportunity to do so.